Our Moving into Meditation class continues to draw inspiration from Frank Ostaseski’s wonderful book about living with the awareness that we’re going to die. His book distills what he’s learned into Five Invitations we can answer in living a conscious life. In today’s class we continued working with the fourth invitation. Frank invites us to reflect on how meet the many endings in our lives – a powerful teaching about life’s impermanence.
We also drew inspiration from bodymind therapist and poet, Donna Martin.
Guided Relaxation
Welcome . . . to this moment . . . to this breath . . . to this peace . . . Can you sense the breath without having to change it in any way? Can you follow the journey of the incoming breath from the tip of the nose all the way down . . . into the belly? And resting your attention here to observe the subtle moment of transformation when the inhale becomes the exhale. And then following the breath beginning its long journey up and out of the body. . . . At the very end of the exhale, there is a . . . pause. Frank says it can be a moment of fear or faith: breath has left the body and we don’t know for certain if it will return. Do you trust that the next in-breath will emerge on its own? Can you rest your mind in the pause?
He suggests that here we can begin to look at endings . . . the end of an exhale . . . the end of a walk . . . the end of a an ordinary every day activity . . . the end of something precious and rare . . . We can reflect on how we meet endings in life. Do we remain present or absent ourselves? Dow we feel anxious or sad? Are we indifferent or do we withdraw into a protective cocoon? How do we say goodbye?
What is our relationship to change? The way one experience ends shapes the way the next one arises. Can we let go? Do we cling? Our breath gives us the chance to study our relationship with endings in an intimate, primal way. Breathing is alive and ever changing . . . each breath unique . . . it is born, grows, it fades and dies away . . . . it mirrors the process of life itself. . .